Cable Key
1greenGTS XL upper END OUT -> GTS XL upper TRIG INGTS XL upper END OUT -> GTS XL upper TRIG IN
2blueGTS XL upper END OUT -> Dual GTO left Stepped SMPLGTS XL upper END OUT -> Dual GTO left Stepped SMPL
3purpleDual GTO S/H source -> Dual GTO left Stepped INDual GTO S/H source -> Dual GTO left Stepped IN
4orangeDual GTO left Stepped OUT -> Edelweiss left Mix Pro IN 1Dual GTO left Stepped OUT -> Edelweiss left Mix Pro IN 1
5pinkEdelweiss left Mix Pro OUT -> NTO 1V/OCTEdelweiss left Mix Pro OUT -> NTO 1V/OCT
6tealEdelweiss left Mix Pro OUT -> GTS XL upper VC FALLEdelweiss left Mix Pro OUT -> GTS XL upper VC FALL
7magentaNTO TRIANGLE -> NTO XFADER IN 1NTO TRIANGLE -> NTO XFADER IN 1
8amberGTS XL upper OUT -> NTO XFADER VC GAINGTS XL upper OUT -> NTO XFADER VC GAIN
9periwinkleNTO XFADER OUT -> Edelweiss right Mix Pro IN 1NTO XFADER OUT -> Edelweiss right Mix Pro IN 1
10redEdelweiss right Mix Pro OUT -> Audio Interface AUX INEdelweiss right Mix Pro OUT -> Audio Interface AUX IN
Notes
# Krell: the envelope chooses the next event
Each completed envelope samples a new voltage that changes both the next note and its duration. The same envelope opens the voice amplitude.
## Start here
Lower the monitoring level before patching. These are documented patch designs, not claims of hardware audition.
Unless this recipe uses the right Mix Pro for control voltage: center its DC offset, zero unused channels, and bring up only the cabled audio inputs. Connect Audio Interface MIX OUT to your normal monitoring chain.
1. GTO left Stepped: cycle off, SMPL up, RATE fast. Left Mix Pro: zero offset, channel 1 low, unused channels zero.
2. GTS upper: short but audible rise, fall around 1–3 seconds; FALL CV attenuverter initially centered. Slowly add a little negative depth for longer higher notes.
3. NTO: low-mid pitch. XFADER: fully toward input 1, manual GAIN closed; raise VC GAIN depth until the GTS envelope makes separate swells.
## Cables
1. GTS XL upper END OUT → GTS XL upper TRIG IN.
2. GTS XL upper END OUT → Dual GTO left Stepped SMPL.
3. Dual GTO S/H source → Dual GTO left Stepped IN.
4. Dual GTO left Stepped OUT → Edelweiss left Mix Pro IN 1.
5. Edelweiss left Mix Pro OUT → NTO 1V/OCT.
6. Edelweiss left Mix Pro OUT → GTS XL upper VC FALL.
7. NTO TRIANGLE → NTO XFADER IN 1.
8. GTS XL upper OUT → NTO XFADER VC GAIN.
9. NTO XFADER OUT → Edelweiss right Mix Pro IN 1.
10. Edelweiss right Mix Pro OUT → Audio Interface AUX IN.
## Listen for
Unequal gaps and durations tied to changing pitches. There is no independent master clock and no promise of a tonal scale.
## Play it
Change the sign of FALL CV depth to reverse the relationship between pitch and duration.
## If it misbehaves
If a note hangs, reduce duration modulation and speed FALL. If the drone never closes, reduce XFADER manual GAIN.
## Module references
- https://serge-modular.com/docs/GTS%20XL%20manual.pdf
- https://serge-modular.com/docs/Serge%20Dual%20GTO%20user%20manual.pdf