Cable Key
1greenGTS XL upper END OUT -> GTS XL upper TRIG INGTS XL upper END OUT -> GTS XL upper TRIG IN
2blueNTO TRIANGLE -> NTO XFADER IN 1NTO TRIANGLE -> NTO XFADER IN 1
3purpleNTO SAW -> NTO XFADER IN 2NTO SAW -> NTO XFADER IN 2
4orangeGTS XL upper OUT -> NTO XFADER VC XFADEGTS XL upper OUT -> NTO XFADER VC XFADE
5pinkNTO XFADER OUT -> Edelweiss right Mix Pro IN 1NTO XFADER OUT -> Edelweiss right Mix Pro IN 1
6tealEdelweiss right Mix Pro OUT -> Audio Interface AUX INEdelweiss right Mix Pro OUT -> Audio Interface AUX IN
Notes
# A moving waveform crossfade
The NTO triangle and saw share one fundamental, so crossfading changes the waveform without introducing a second pitch.
## Start here
Lower the monitoring level before patching. These are documented patch designs, not claims of hardware audition.
Unless this recipe uses the right Mix Pro for control voltage: center its DC offset, zero unused channels, and bring up only the cabled audio inputs. Connect Audio Interface MIX OUT to your normal monitoring chain.
1. Tune NTO as a drone. Set XFADER GAIN to a modest audible level and manual blend near the middle.
2. GTS upper: slow symmetric cycle. Start VC XFADE depth at zero; add enough to move between the two inputs.
## Cables
1. GTS XL upper END OUT → GTS XL upper TRIG IN.
2. NTO TRIANGLE → NTO XFADER IN 1.
3. NTO SAW → NTO XFADER IN 2.
4. GTS XL upper OUT → NTO XFADER VC XFADE.
5. NTO XFADER OUT → Edelweiss right Mix Pro IN 1.
6. Edelweiss right Mix Pro OUT → Audio Interface AUX IN.
## Listen for
A sustained note whose edge changes smoothly; phase cancellation may also change loudness.
## Play it
Bias the manual blend toward one endpoint so the brighter waveform appears only briefly.
## If it misbehaves
Silence at one end means that XFADER input is missing, or GAIN is closed.