Cable Key
1greenGTS XL upper END OUT -> GTS XL upper TRIG INGTS XL upper END OUT -> GTS XL upper TRIG IN
2blueGTS XL upper END OUT -> SEQQ CLOCKGTS XL upper END OUT -> SEQQ CLOCK
3purpleSEQQ OUT (left section) -> GTS XL lower INSEQQ OUT (left section) -> GTS XL lower IN
4orangeGTS XL lower OUT -> NTO 1V/OCTGTS XL lower OUT -> NTO 1V/OCT
5pinkNTO TRIANGLE -> Edelweiss right Mix Pro IN 1NTO TRIANGLE -> Edelweiss right Mix Pro IN 1
6tealEdelweiss right Mix Pro OUT -> Audio Interface AUX INEdelweiss right Mix Pro OUT -> Audio Interface AUX IN
Notes
# A sequence with asymmetric glide
SEQQ control voltage passes through a non-cycling GTS before reaching NTO pitch.
## Start here
Lower the monitoring level before patching. These are documented patch designs, not claims of hardware audition.
Unless this recipe uses the right Mix Pro for control voltage: center its DC offset, zero unused channels, and bring up only the cabled audio inputs. Connect Audio Interface MIX OUT to your normal monitoring chain.
1. SEQQ: forward steps, low output range. Set two high steps among mostly low notes.
2. GTS upper: about 2 Hz. Lower: cycle off, both rates initially fast; gradually slow only RISE.
## Cables
1. GTS XL upper END OUT → GTS XL upper TRIG IN.
2. GTS XL upper END OUT → SEQQ CLOCK.
3. SEQQ OUT (left section) → GTS XL lower IN.
4. GTS XL lower OUT → NTO 1V/OCT.
5. NTO TRIANGLE → Edelweiss right Mix Pro IN 1.
6. Edelweiss right Mix Pro OUT → Audio Interface AUX IN.
## Listen for
Upward intervals slide while downward intervals remain abrupt.
## Play it
Reverse the asymmetry by speeding RISE and slowing FALL.
## If it misbehaves
If pitches never arrive at their targets, speed the slew or slow the clock. This path is intentionally unquantized.
## Module references
- https://serge-modular.com/docs/GTS%20XL%20manual.pdf