Cable Key
1greenGTS XL upper END OUT -> GTS XL upper TRIG INGTS XL upper END OUT -> GTS XL upper TRIG IN
2blueGTS XL upper END OUT -> Dual GTO left Stepped SMPLGTS XL upper END OUT -> Dual GTO left Stepped SMPL
3purpleDual GTO S/H source -> Dual GTO left Stepped INDual GTO S/H source -> Dual GTO left Stepped IN
4orangeDual GTO left Stepped OUT -> Edelweiss right Mix Pro IN 1Dual GTO left Stepped OUT -> Edelweiss right Mix Pro IN 1
5pinkEdelweiss right Mix Pro OUT -> NTO 1V/OCTEdelweiss right Mix Pro OUT -> NTO 1V/OCT
6tealNTO SINE -> Audio Interface AUX INNTO SINE -> Audio Interface AUX IN
Notes
# Sampled noise, restrained pitch
A clocked GTO Stepped section captures noise; a Mix Pro scales the held voltage before it controls NTO.
## Start here
Lower the monitoring level before patching. These are documented patch designs, not claims of hardware audition.
Unless this recipe uses the right Mix Pro for control voltage: center its DC offset, zero unused channels, and bring up only the cabled audio inputs. Connect Audio Interface MIX OUT to your normal monitoring chain.
1. GTS upper: 1–3 Hz. GTO left Stepped: cycle off, SMPL up (sample mode), RATE fully fast.
2. Mix Pro: offset centered at zero, unused channels zero, channel 1 initially zero. Raise it only enough for a small pitch range.
## Cables
1. GTS XL upper END OUT → GTS XL upper TRIG IN.
2. GTS XL upper END OUT → Dual GTO left Stepped SMPL.
3. Dual GTO S/H source → Dual GTO left Stepped IN.
4. Dual GTO left Stepped OUT → Edelweiss right Mix Pro IN 1.
5. Edelweiss right Mix Pro OUT → NTO 1V/OCT.
6. NTO SINE → Audio Interface AUX IN.
## Listen for
A sequence of held, unquantized pitches with fresh independent samples. This is not a Brownian walk.
## Play it
Vary the Mix Pro depth between tiny detuning and wide intervals.
## If it misbehaves
Constant pitch: SMPL in the center ignores sampling; also confirm the S/H noise source reaches Stepped IN.
## Module references
- https://serge-modular.com/docs/Serge%20Dual%20GTO%20user%20manual.pdf